Harry Styles – Sign Of The Times (in the Live Lounge)

Music is Therapy

560,085,183 views Jan 7, 2013 #1D#OneDirection#OneDirectionOfficialOne Direction – Kiss You (Official Video) Follow on Spotify – https://1D.lnk.to/Spotify Listen on Apple Music – https://1D.lnk.to/AppleMusic Listen on Amazon Music – https://1D.lnk.to/AmazonMusic Listen on Deezer – https://1D.lnk.to/Deezer Listen on YouTube Music – https://smarturl.it/OneDirection_YTMusic Check out One Direction’s 10 Year Anniversary website here: https://1D.lnk.to/10YearsOf1DWebsite WATCH STORY OF MY LIFE MUSIC VIDEO ► https://smarturl.it/OneDirection_SOML WATCH WHAT MAKES YOU BEAUTIFUL MUSIC VIDEO ► https://smarturl.it/1D_WMYB WATCH DRAG ME DOWN MUSIC VIDEO ► https://smarturl.it/OneDirection_DMD WATCH HISTORY MUSIC VIDEO ► https://smarturl.it/OneDirection_H WATCH STEAL MY GIRL MUSIC VIDEO ► https://smarturl.it/OneDirection_SMG WATCH BEST SONG EVER MUSIC VIDEO ► https://smarturl.it/OneDirection_BSE Subscribe to the One Direction YouTube channel – https://smarturl.it/OneDirection_YT_Sub Follow One Direction: Facebook – / onedirection Twitter – / onedirection Instagram – / onedirection Lyrics [Zayn] Oh, I just wanna take you anywhere that you’d like We could go out any day, any night Baby I’ll take you there, take you there Baby I’ll take you there, yeah [Harry] Oh, tell me, tell me, tell me, how to turn your love on You can get, get anything that you want Baby just shout it out, shout it out Baby just shout it out, yeah [Liam] And if you, You want me too Let’s make a move Yeah, so tell me girl if every time we [All] To-o-uch You get this kind of ru-u-ush Baby, say yeah, yeah, yeah, yeah, yeah, yeah If you don’t wanna take it slow And you just wanna take me home Baby, say yeah, yeah, yeah, yeah, yeah [Harry] And let me kiss you [Zayn] Oh, baby, baby, don’t you know you got what I need Looking so good from your head to your feet Come on come over here, over here Come on come over here, yeah [Niall] Oh, I just wanna show you off to all of my friends Making them drool down their chinny-chin-chins Baby, be mine tonight, mine tonight Baby, be mine tonight, yeah [Liam] And if you, You want me too Let’s make a move [Zayn] Yeah, so tell me girl if every time we [All] To-o-uch You get this kind of ru-u-ush Baby, say yeah, yeah, yeah, yeah, yeah, yeah If you don’t wanna take it slow (c’mon) And you just wanna take me home Baby, say yeah, yeah, yeah, yeah, yeah [Zayn] And let me kiss you [5x] [All] C’mon Na na na na na na na na Na na na na na na na na Na na na na na na na na [Louis] Yeah, so tell me, girl, if every time we To-o-uch You get this kind of ru-u-ush Baby, say yeah, yeah, yeah, yeah, yeah, yeah If you don’t wanna take it slow And you just wanna take me home Baby, say yeah, yeah, yeah, yeah, yeah, yeah Every time we to-o-uch You get this kind of ru-u-ush Baby, say yeah, yeah, yeah, yeah, yeah, yeah If you don’t wanna take it slow And you just wanna take me home Baby, say yeah, yeah, yeah, yeah, yeah [Harry] And let me kiss you #OneDirection#KissYou#10YearsOf1D#OneDirectionOfficial#1D#OneDirectionKissYou#OneDirectionOfficialVideo#KissYouOfficialVideo


Official Music Video from the Choral Scholars of University College Dublin, performing ‘Silently, She’s Combing’ from James Joyce’s ‘Chamber Music’ Listen to the brand new album, released on September 20th, here: [https://lnk.to/JamesJoyceChamberMusic]. Experience the haunting beauty of ‘Silently, She’s Combing,’ a stunning choral setting of James Joyce’s Chamber Music, performed by the Choral Scholars of University College Dublin. This video includes an exclusive 3-second album promo to celebrate the release of our new album, out now! This piece is part of our ‘James Joyce Chamber Music’ series, where we set Joyce’s poetry to music. This choral arrangement offers a lyrical and ethereal interpretation of one of Ireland’s most celebrated writers. For lovers of choral music, classical arrangements, and James Joyce’s literary works, this performance provides an immersive experience of Irish cultural history. Listen to the brand new album, released on September 20th, here: [https://lnk.to/JamesJoyceChamberMusic]. Composed by Desmond Earley, this piece brings to life James Joyce’s poem (XXIV) from his iconic Chamber Music collection, capturing the ethereal imagery of a woman silently and gracefully combing her hair. Accompanied by the Solstice Ensemble, led by Anita Vedres, the music subtly mirrors the introspective themes of distance and indifference, resonating with the mystical aura of Ireland. Soprano soloists Emily Doyle and Kiri O’Neill blend seamlessly with the ensemble, evoking a timeless, reflective atmosphere, guided by the rich textures of string and wind instruments. This video not only showcases the Choral Scholars’ distinctive blend of Irish choral sound but also the ensemble’s interpretation of Joyce’s works in a contemporary, yet deeply respectful manner. Conducted by Desmond Earley, this performance is part of a broader international collaboration to fulfil Joyce’s dream of setting all 36 poems from Chamber Music to music. Credits: Soloists: Emily Doyle and Kiri O’Neill Solstice Ensemble Leader: Anita Vedres Production Team: Executive Producer: Desmond Earley Production Manager: Hanna Marshall Director: Matthew Leigh Producer: Nodlag Houlihan Director of Photography: Andrew Cummins Camera Assistant: Edmond Moriarty Editor: Emmet Reddy Hair & Makeup: Amanda Conlon Colourist: Emmet Reddy Audio Production: Recording Engineer: Andrew Mellor Mixing & Mastering: Andrew Mellor Label: Signum Classics Subscribe for more performances from Chamber Music and listen to the full album here: [https://lnk.to/JamesJoyceChamberMusic]. Video produced by Zucca Films. Audio recorded in Blackrock College, Dublin. (P) 2024 The copyright in the sound recording used in this video is owned by Signum Records Ltd. #ChoralScholars #JamesJoyce #ChamberMusic #IrishChoralMusic #DesmondEarley #SignumRecords #JamesJoycePoetry #ClassicalChoral #IrishMusic #ChoralPerformances

272,929 views Feb 26, 2017Provided to YouTube by Rhino/Warner Records Beautiful Child (2015 Remaster) · Fleetwood Mac Tusk ℗ 1979 Warner Records Inc. Remastered 2015, Rhino Entertainment Company Audio Additional Mix Engineer: Bill Inglot Unknown: Bill Inglot Audio Additional Mix Engineer: Brian Kehew
Keyboards, Synthesizer, Vocals: Christine McVie
Producer: Christine McVie
Remastering Engineer: Dan Hersch Engineer: Hernán Rojas Unknown: Hernán Rojas Unknown: Hernán Rojas Bass Guitar: John McVie Producer: John McVie Audio Recording Engineer: Ken Caillat Producer: Ken Caillat Unknown: Ken Perry Unknown:
Lindsey Buckingham Guitar, Vocals: Lindsey Buckingham Producer: Lindsey Buckingham Drums, Percussion: Mick Fleetwood Producer: Mick Fleetwood Unknown: Rich Feldman Audio Recording Engineer: Richard Dashut Producer: Richard Dashut Unknown: Steve Woolard Producer: Stevie Nicks Vocals: Stevie Nicks Writer: Stevie Nicks Auto-generated by YouTube.

Lyrics
Beautiful child
Beautiful child
You are a beautiful child
And I am a fool once more
You fell in love when I was only ten
The years disappeared
Much has gone by since then
I bite my lip, can you send me away?
You touch, I have no choice (ooh, ooh)
I have to stay (ooh)
Ooh, I had to stay
Ooh, I had to stay
Sleepless child
There is so little time
Your eyes say yes
But you don’t say yes
Well I wish that you were mine
I wish that you were mine
You say it will be harder in the morning
I wait for you to say, just go
Your hands held mine so few hours
(I fell into love) But I’m not a child anymore
I’m not a child anymore
I’m tall enough to reach for the stars
I’m old enough to love you from afar
Too trusting? Yes
But then women usually are
I’m not a child anymore
I’m not a child, oh no (I’m tall enough to reach for the stars)
I will do as I’m told (I’m old enough to love you from afar)
Even if I never hold you again (too trusting? Yes, but then women usually are)
Hold you again (hold you again)
Sleepless child
There is so little time (I will do as I am told)
Your eyes say yes, but you don’t say yes
(Even if I never hold you again)
I wish that you were mine (hold you again)
I wish that you were mine (even if I never hold you again)
Well I wish that you were mine (hold you again)
Well I wish that you were mine
Source: LyricFind
Songwriters: Stevie Nicks
Beautiful Child lyrics © Warner Chappell Music, Inc
13,132,984 views Premiered Mar 5, 2019Dido’s new album, Still On My Mind, is out now. Buy now: https://dido.lnk.to/MyMindID Follow Dido Official site – https://www.didomusic.com Facebook – / dido Instagram – / dido Twitter – / didoofficial


Posted on by Padraic Guilfoyle

Dance!
Whoo!
Brrrrt!
Oh, my life is changing everyday
In every possible way
And oh, my dreams
It’s never quite as it seems
(Never quite as it seems)
I know I felt like this before
But now I’m feeling it even more
Because it came from you
Then I open up and see
The person falling here is me
A different way to be
C’mon
La ah
La, ah, ah, ah
La, ah, ah, ah
La, ah, ah, ah
La ah ah ah
I want more, impossible to ignore
Impossible to ignore
(And they’ll come true)
And they’ll come true
Impossible not to do
Impossible not to do
And now I tell you openly
You have my heart, so don’t hurt me
You’re what I couldn’t find
A totally amazing mind
So understanding and so kind
You’re everything to me
Sing it for me!
1, 2, 3, 4
Oh, my life is changing everyday
In every possible way
(I said, oh, I said oh)
And oh, my dreams
It’s never quite as it seems
‘Cause you’re a dream to me
Dream to me
La, ah
La, ah, ah, ah
La, ah, ah
La ah ah ah
Sing on!La, ah
La, ah, ah, ah
La, ah, ah
La ah ah ah
Oh oh oh
La ah
La ah ah ah ah
La ah ah ah
La ah ah ah
Thank you guys, gracias!
Buenas noches!
Source: Musixmatch
Songwriters: Dolores Mary O’riordan / Noel Hogan


Lyrics
Now when I was a young man, I carried me pack
And I lived the free life of the rover
From the Murray’s green basin to the dusty outback
Well, I waltzed my Matilda all over
Then in 1915, my country said “son
It’s time you stopped rambling, there’s work to be done”
So they gave me a tin hat, and they gave me a gun
And they marched me away to the war
And the band played Waltzing Matilda
As the ship pulled away from the quay
And amidst all the cheers, the flag-waving and tears
We sailed off for Gallipoli
And how well I remember that terrible day
How our blood stained the sand and the water
And of how in that hell that they called Suvla Bay
We were butchered like lambs at the slaughter
Johnny Turk, he was waiting, he’d primed himself well
He showered us with bullets and he rained us with shell
And in five minutes flat, he’d blown us all to hell
Nearly blew us right back to Australia
But the band played Waltzing Matilda
When we stopped to bury our slain
We buried ours, and the Turks buried theirs
Then we started all over again
And those that were left, well we tried to survive
In that mad world of blood, death and fire
And for ten weary weeks, I kept myself alive
Though around me the corpses piled higher
Then a big Turkish shell knocked me arse over head
And when I woke up in me hospital bed
And saw what it had done, well I wished I was dead
Never knew there was worse things than dyin’
For I’ll go no more waltzing Matilda
All around the green bush far and free
To hump tent and pegs, a man needs both legs
No more waltzing Matilda for me
So they gathered the crippled, the wounded, the maimed
And they shipped us back home to Australia
The legless, the armless, the blind, the insane
Those proud wounded heroes of Suvla
And as our ship pulled into Circular Quay
I looked at the place where me legs used to be
And thanked Christ there was nobody waiting for me
To grieve, to mourn, and to pity
But the band played Waltzing Matilda
As they carried us down the gangway
But nobody cheered, they just stood and stared
Then they turned all their faces away
And so now every April, I sit on me porch
And I watch the parades pass before me
And I see my old comrades, how proudly they march
Reviving old dreams of past glories
And the old men march slowly, old bones stiff and sore
They’re tired old heroes from a forgotten war
And the young people ask, “what are they marching for?”
And I ask myself the same question
But the band plays Waltzing Matilda
And the old men still answer the call
But as year follows year, more old men disappear
Someday no one will march there at all
Waltzing Matilda, Waltzing Matilda
Who’ll come a-waltzing Matilda with me?
And their ghosts may be heard
As they march by that billabong
Who’ll come a-waltzing Matilda with me?
Source: LyricFind
Songwriters: Eric Bogle
The Band Played Waltzing Matilda lyrics © DistroKid, Music Sales Corporation
27,856 views Mar 13, 2021Clancy Brothers & Tommy Makem “The Rising Of The Moon” on The Ed Sullivan Show on March 12, 1961. Subscribe now to never miss an update: https://ume.lnk.to/EdSullivanSubscribe
