Garth Brooks Medley | The Late Late Show | RTÉ One
4,421 viewsSep 17, 20217011ShareSaveThe Late Late Show 209K subscribers The Three Amigos perform a medley of Garth Brooks Hits. Watch The Late Late Show live and on-demand from anywhere in the world at http://www.rte.ie/player The Late Late Show | Fridays | RTÉ One, 9:35pm Irish Time
701 views•Premiered 5 hours ago1371ShareSaveSaint Sister 3.66K subscribers Saint Sister, Karaoke Song, taken from their new album Where I Should End out June 25th.
Mandatory Credit: Photo by EDMOND SADAKA EDMOND/SIPA/REX/Shutterstock (8799004g)
Dolores O’Riordan
The Cranberries in concert, Olympia. Paris, France – 04 May 2017
Lyrics
If you, if you could return Don’t let it burn Don’t let it fade I’m sure I’m not being rude But it’s just your attitude It’s tearing me apart It’s ruining every day
I swore, I swore I would be true And honey so did you So why were you holding her hand? Is that the way we stand? Were you lying all the time? Was it just a game to you?
But I’m in so deep You know I’m such a fool for you You got me wrapped around your finger Do you have to let it linger? Do you have to, do you have to, do you have to let it linger?
Oh, I thought the world of you I thought nothing could go wrong But I was wrong, I was wrong
If you, if you could get by Trying not to lie Things wouldn’t be so confused And I wouldn’t feel so used But you always really knew I just want to be with you
And I’m in so deep You know I’m such a fool for you You got me wrapped around your finger Do you have to let it linger? Do you have to, do you have to, do you have to let it linger?
And I’m in so deep You know I’m such a fool for you You got me wrapped around your finger Do you have to let it linger? Do you have to, do you have to, do you have to let it linger?
You know I’m such a fool for you You got me wrapped around your finger Do you have to let it linger? Do you have to, do you have to, do you have to let it linger?
“Trio II” was recorded in 1994 but not released until 1999, when Emmylou Harris, Dolly Parton, and Linda Ronstadt appeared on Late Show to perform Neil Young’s “After the Gold Rush.” The Glass Harmonica (or Armonica) was played by Dennis James, who remembers the performance in an interview with Rich Bailey in 2002: Rich Bailey: I remember when you appeared with her on Letterman and you discussed the Armonica a bit. How was that? Dennis James: Well, it was a great surprise. A sort of unspoken message in the air to me before the broadcast was “Do not say anything on the air!”. After all, these things are Linda’s appearances. When David L. leaned over his desk and directed a question to me I simply froze- on playback of the dub I can see myself caught and unable to speak. I received a glance from Linda that said to me it was OK and so when he tried again I called back a flip one liner and on things went from there. http://www.ronstadt-linda.com/djames…. The synthesizer player is Cliff Carter. I think the pianist is Robbie Kondor. The Trio altered two lines in their original “Trio II” recording: 1. “in the nineteen seventies” changed to “in the twentieth century.” 2. “And I felt like getting high” changed to “And I felt like I could cry.” Here’s their CD version: https://www.youtube.com/watch?v=ykMzS… It’d be tough to imagine them changing the lyrics without first getting Neil’s permission. So to everyone complaining about the lyric changes in this live performance: Don’t blame the show or the network. The changes had been made in the Trio’s original recording. And, we must assume, with Neil Young’s blessing. Update: Quoting Wikipedia: “Parton also released a solo version of the song in 1996, though her version altered the line ‘I felt like getting high’ to ‘I felt like I could cry’ with the permission of Neil Young.”
When you feel your love’s been taken When you know there’s something missing In the dark, we’re barely hanging on Then you rest your head upon my chest And you feel like there ain’t nothing left I’m afraid that what we had is gone
Then I think of the start And it echoes a spark And I remember the magic electricity Then I look in my heart There’s a light in the dark Still a flicker of hope that you first gave to me That I wanna keep Please don’t leave Please don’t leave
When you lay there and you’re sleeping Hear the patterns of your breathing And I tell you things you’ve never heard before Asking questions to the ceiling Never knowing what you’re thinking I’m afraid that what we had is gone
Then I think of the start And it echoes a spark And I remember the magic electricity Then I look in my heart There’s a light in the dark Still a flicker of hope that you first gave to me That I wanna keep Please don’t leave Please don’t leave
And I want this to pass And I hope this won’t last Last too long
Then I think of the start And it echoes a spark And I remember the magic electricity Then I look in my heart There’s a light in the dark Still a flicker of hope that you first gave to me That I wanna keep Please don’t leave Please don’t leave
397,802 views•Premiered Dec 18, 20187.8K109ShareSaveChoral Scholars of University College Dublin 73.5K subscribers Appalachian Air of Scottish origin arr. Desmond Earley From the album ‘Invisible Stars – Choral Works from Ireland and Scotland’ The Choral Scholars of University College Dublin Artistic Director: Desmond Earley Solos: Mark Waters and Emily Doyle Released on Signum Records BUY IT NOW: http://hyperurl.co/invisiblestars Sheet Music: http://bit.ly/2QFhUv0 HEAR IT LIVE: http://ucdchoralscholars.ie/events.php Website: http://www.ucdchoralscholars.ie Facebook: http://www.facebook.com/ucdchoralscho… Twitter: http://www.twitter.com/UCDChoral Instagram: @ChoralScholars Credits: Director & DP Ronan Fox Focus Puller Shane Caffrey Camera Assistans: Wade Enright, Sadhbh Ní Nualáin Sound Playback Trevor Cunningham Two American melodies from Kentucky are widely associated with the lyric Black is the colour of my true love’s hair. The younger melody was composed by Kentuckian John Jacob Niles, collector and performer of Appalachian folk songs, and an important influence on the American Folk revival in the 1950s. In a biography of Niles—I Wonder As I Wander—Professor Ron Pen of the University of Kentucky has observed that Niles created a completely different melody from the versions he had collected in Kentucky in 1916. The melody used for the choral arrangement on this disc is the version sung by Irish singer/songwriter Christy Moore, who learned the song from Scottish folk singer Hamish Imlach in 1968. This modern Scottish song is a rendering of an Appalachian antecedent of Niles’ version collected by Cecil Sharp in Kentucky and published in English Folk Songs from the Southern Appalachians (1917).