Songs of Ireland – Luke Kelly – Raglan Road #dubliners

Luke Kelly Raglan Road

5,606,031 views•20 Nov 2006 16K859ShareSavekellyoneill 38.9K subscribers

Luke Kelly Raglan Road – YouTube

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Lyrics

On Raglan Road on an autumn day I saw her first and knew
That her dark hair would weave a snare that I might one day rue;
I saw the danger, yet I passed along the enchanted way,
And I said, let grief be a fallen leaf at the dawning of the day.

On Grafton Street in November we tripped lightly along the ledge
Of the deep ravine where can be seen the worth of passion’s pledge,
The Queen of Hearts still making tarts and I not making hay
Oh I loved too much and by such by such is happiness thrown away.

I gave her gifts of the mind I gave her the secret sign that’s known
To the artists who have known the true gods of sound and stone
And word and tint without stint for I gave her poems to say.
With her own name there and her own dark hair like clouds over fields of May

On a quiet street where old ghosts meet I see her walking now
Away from me so hurriedly my reason must allow
That I had loved not as I should a creature made of clay
When the angel woos the clay he’d lose his wings at the dawn of day.

Source: Musixmatch

Songwriters: Kavanagh Patrick / Knopfler Mark

Raglan Road lyrics © Straitjacket Songs Ltd., Sgo Music Publishing Ltd.,

Still Blue – Brushstrokes (Official Video) #Donegal 🇨🇮🇮🇪

1,248 views Premiered Sep 13, 2024CAST/CREW HER – Jordanne Jones HIM – Jack Gavin DIRECTOR – Edelle Kenny PRODUCER – Órla Morris Toolen DOP – Ignas Laugalis 1ST AC – James Marnell GAFFER – Eoghan Hand BEST BOY – Evan Hayes EDITOR – Annie Walsh COLOURIST – Natalia Witkowska, Element Post/VFX SPECIAL THANKS – Ciara Kirwan, Mick Flood Song by Greg Kearns, Nicole Lyons, Ruairi Forde and Frank O’Flaherty Produced by Alex Borwick

Daniel O’Donnell – Come Back Paddy Reilly to Ballyjamesduff

67,806 views May 6, 2012Daniel performs the popular Irish ballad by Percy French at the Green Glens Arena in Millstreet, County Cork on New Year’s Eve 1994. Lyrics The Garden of Eden has vanished, they say But I know the lie of it still; Just turn to the left at the bridge of Finea And stop when halfway to Cootehill. ‘Tis there I will find it, I know sure enough When fortune has come to me call, Oh the grass it is green around Ballyjamesduff And the blue sky is over it all. And tones that are tender and tones that are gruff Are whispering over the sea, Come back, Paddy Reilly to Ballyjamesduff Come home, Paddy Reilly, to me. My mother once told me that when I was born The day that I first saw the light, I looked down the street on that very first morn And gave a great crow of delight. Now most newborn babies appear in a huff, And start with a sorrowful squall, But I knew I was born in Ballyjamesduff And that’s why I smiled on them all. The baby’s a man, now he’s toil-worn and tough Still, whispers come over the sea, Come back, Paddy Reilly to Ballyjamesduff Come home, Paddy Reilly, to me. The night that we danced by the light of the moon, Wid Phil to the fore wid his flute, When Phil threw his lip over Come Again Soon, He’s dance the foot out o’ yer boot! The day that I took long Magee by the scruff For slanderin’ Rosie Kilrain, Then, marchin’ him straight out of Ballyjamesduff, Assisted him into a drain. Oh, sweet are the dreams, as the dudeen I puff, Of whisperings over the sea, Come back, Paddy Reilly to Ballyjamesduff Come home, Paddy Reilly, to me. I’ve loved the young women of every land, That always came easy to me; Just barrin’ the belles of the Black-a-moor brand And the chocolate shapes of Feegee. But that sort of love is a moonshiny stuff, And never will addle me brain, For the bells will be ringin’ in Ballyjamesduff For me and me Rosie Kilrain! And through all their glamour, their gas and their guff A whisper comes over the sea, Come back, Paddy Reilly to Ballyjamesduff Come home, Paddy Reilly, to me. Encore verse I’ve struck oil at last! I’ve struck work, and I vow I’ve struck some remarkable clothes, I’ve struck a policeman for sayin’ that now, I’d go back to my beautiful Rose. The belles they may blarney, the boys they may bluff But this I will always maintain, No place in the world like Ballyjamesduff No guril (sic) like Rosie Kilrain. I’ve paid for my passage, the sea may be rough But borne on each breeze there will be, Come back, Paddy Reilly to Ballyjamesduff Come home, Paddy Reilly, to me.

The Beatles – A Hard Day’s Night

13,148,739 views Jun 17, 2018Provided to YouTube by Universal Music Group A Hard Day’s Night (Remastered 2015) · The Beatles 1 ℗ 2015 Calderstone Productions Limited (a division of Universal Music Group) Released on: 2000-11-13 Producer, Mixing Engineer: Giles Martin Mixing Engineer: Sam Okell Mastering Engineer: Miles Showell Sound Designer: Al Sirkett Mixing Second Engineer: Matt Mysko Recording Engineer: Simon Gibson Recording Engineer: James Clarke Recording Engineer: Andrew Walter Producer: George Martin Composer Lyricist: John Lennon Composer Lyricist: Paul McCartney Auto-generated by YouTube.

The Crayon Set – Summer Song (Gui Boratto Rework) featuring Kate Dineen.

The Crayon Set present a special rework of Summer Song by renowned producer and remixer Gui Boratto. For 15 years, Gui Boratto has been a core member of the seminal Kompakt Label and is one of Brazil’s most cherished electronic music producers. His work over the years includes five studio albums, countless EPs and remixes for the likes of Massive Attack, Pet Shop Boys and Paul Simon to name a few.

Kate Dineen

Lyrics

Temperature Rise, It’s all right

Synapses fried, it’s alright

Got a banging headache and a fever

What a wonderful time to leave her

It’s the Summer, it’s the season

It’s the Summer so throw out all reason

It’s the Summer, it’s the season

So pop all those e’s in

Hold the horses and hold the phone

Hold a match to all you know

Hold a conversation and tune out

Hold on tight, don’t hold out

It’s the Summer, it’s the season

It’s the Summer so throw out all reason

Its the Summer, it’s the season

It’s the Summer so pop all those e’s in

And I know now, and I know why

And I know that it’s oh, it’s alright

It’s the Summer, it’s the season

It’s the summer, it’s the season

It’s the Summer, it seemed worth believin’

And it’s ok, it’s alright

It’s ok, no, I got it

Falling down, falling star

Falling out, no, I got it

And it’s a spell, and it’s a spark

And it’s a moonlight garden

Follow you, anywhere

Follow you, anywhere

Follow you, hold my heart out

It’s the Summer, it’s the season

It’s the Summer so pop all those e’s in

And I know now, and I know why

And I know that it’s oh, it’s alright

It’s the Summer, it’s the season

It’s the Summer, it seemed

worth…believe in

Lyrics – George Guilfoyle

Maura O’ Connell – Feet of a Dancer #mcgettigan

Maura O Connell, Feet of a dancer

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Published on Mar 11, 2013

 
 
Feet of a dancer sung by Maura O Connell, Filmed by me in Belfast Opera House.
 
Written by Charlie McGettigan ..from County Leitrim,Ireland…

Feet of a Dancer

Maura O’ConnellI

hope you find the feet of a dancer,
I hope you can sing in the rain,
I hope you find all the easy answers to your pain;
It won’t be easy, what can I say,
There will be trouble along the way;
‘Round every corner there’s terror and fear,
Always remember that we’re here.
I hope you find the feet of a dancer,
I hope you can sing in the rain,
I hope you find all the easy answers to your pain;
I hope you find love and affection,
I hope you find someone who cares;
I hope you find all the right directions everywhere,
Everywhere.
A shoulder to cry on whenever you’re alone,
You can rely on us you know;
Nothing too crazy, nothing too dear,
Always remember that we’re here.
I hope you find the feet of a dancer,
I hope you can sing in the rain,
I hope you find all the easy answers to your pain;
I hope you find love and affection,
I hope you find someone who cares;
I hope you find all the right directions everywhere,
Everywhere.

Sometimes when the rain comes pouring down,
When it comes pouring down,
Down on you.
I hope you find the feet of a dancer,
I hope you can sing in the rain,
I hope you find all the easy answers to your pain;
I hope you find love and affection,
I hope you find someone who cares;
I hope you find all the right directions everywhere,
Everywhere.
I hope you find all the right directions everywhere,
Everywhere.

Source: Musixmatch

Songwriters: Charlie Mcgettigan

Maurice Ravel – Bolero | Alondra de la Parra | WDR Symphony Orchestra

7,075,768 views Premiered Apr 1, 2022 KÖLNER PHILHARMONIEMaurice Ravel’s “Bolero” performed by the WDR Sinfonieorchester under the baton of Alondra de la Parra on January 27, 2022 at the Kölner Philharmonie. Maurice Ravel – Bolero WDR Symphony Orchestra Alondra de la Parra, conductor *** MORE ALONDRA DE LA PARRA WITH THE WDR ORCHESTRAS IN OUR PLAYLIST:    • Alondra de la Parra dirigiert   *** ► For more on the symphony orchestra, concerts and current livestreams, visit https://sinfonieorchester.wdr.de ► The WDR Symphony Orchestra on Facebook   / wdrsinfonieorchester  

The idea of pursuing a career as a musician came early and was supported by his parents: At the age of 13, Maurice Ravel receives lessons at a private music school and studies immediately afterwards. There is little motivation left when Ravel fails his intermediate exam and has to leave the master class right away. Nevertheless, one work in particular composed by Ravel, the “Boléro”, is one of the best known and most frequently played pieces of music in the world. Ravel not only works on the Boléro with the greatest care and attention to detail, he often takes a long time to complete his works – due to the complexity and accuracy of his works, he is also called the “Swiss watchmaker” among composers. Regarding his orchestral work “Boléro” – eponymous with the dance genre – Maurice Ravel commented one day: “My masterpiece? The Boléro, of course. It’s just a pity that it contains no music at all”. Beginning with the probably best-known, always constant (ostinato) rhythm, the snare drum opens the piece in pianissimo. It accompanies the two 16-bar melodies (melody A and B) throughout, which are repeated eighteen times – first solo, then by several registers in unison. They occur in the form AA BB until the last two repetitions. In the climax of the climax, A and B follow each other “undoubled”. The melodies are varied only in the shaping of the instrumentation – and thus the timbre – resulting in a majestic crescendo until the end of the boléro.WDR Klassik