Published on Aug 21, 2016

Music is Therapy

16,128,356 views•27 Oct 2009117K2.6KShareSaveenyatv 706K subscribers Listen to The Very Best of Enya now: lnk.to/VeryBestOfEnya

201,694 views Aug 6, 2023 #violin#classicalmusic#bbc#classicalmusic#bruch#concerto#violin#orchestra#korea#artist#bbc#proms Bruch Violin Concerto No.1 in G minor, Op.26 브루흐 바이올린 협주곡 제 1번 사단조, 작품 26 Bomsori Kim 김봄소리, Violin Anja Bihlmaier, Conductor BBC Philharmonic BBC Proms 2023 Royal Albert Hall, London July 14th, 2023 © 2023 BBC 00:00 Preset 00:41 I. Vorspiel. Allegro moderato 09:00 II. Adagio 17:31 III. Finale. Allegro energico

7,075,768 views Premiered Apr 1, 2022 KÖLNER PHILHARMONIEMaurice Ravel’s “Bolero” performed by the WDR Sinfonieorchester under the baton of Alondra de la Parra on January 27, 2022 at the Kölner Philharmonie. Maurice Ravel – Bolero WDR Symphony Orchestra Alondra de la Parra, conductor *** MORE ALONDRA DE LA PARRA WITH THE WDR ORCHESTRAS IN OUR PLAYLIST: • Alondra de la Parra dirigiert *** ► For more on the symphony orchestra, concerts and current livestreams, visit https://sinfonieorchester.wdr.de ► The WDR Symphony Orchestra on Facebook / wdrsinfonieorchester
The idea of pursuing a career as a musician came early and was supported by his parents: At the age of 13, Maurice Ravel receives lessons at a private music school and studies immediately afterwards. There is little motivation left when Ravel fails his intermediate exam and has to leave the master class right away. Nevertheless, one work in particular composed by Ravel, the “Boléro”, is one of the best known and most frequently played pieces of music in the world. Ravel not only works on the Boléro with the greatest care and attention to detail, he often takes a long time to complete his works – due to the complexity and accuracy of his works, he is also called the “Swiss watchmaker” among composers. Regarding his orchestral work “Boléro” – eponymous with the dance genre – Maurice Ravel commented one day: “My masterpiece? The Boléro, of course. It’s just a pity that it contains no music at all”. Beginning with the probably best-known, always constant (ostinato) rhythm, the snare drum opens the piece in pianissimo. It accompanies the two 16-bar melodies (melody A and B) throughout, which are repeated eighteen times – first solo, then by several registers in unison. They occur in the form AA BB until the last two repetitions. In the climax of the climax, A and B follow each other “undoubled”. The melodies are varied only in the shaping of the instrumentation – and thus the timbre – resulting in a majestic crescendo until the end of the boléro.WDR Klassik


Lisa Hannigan 74.8K subscribers Provided to YouTube by The Orchard Enterprises River · RTÉ Concert Orchestra · Lisa Hannigan A Murray Christmas 2 ℗ 2014 RTÉ Radio Released on: 2014-11-21 Music Publisher: SONY/ATV MUSIC PUBLISHING (UK) LIMITED Auto-generated by YouTube.
27,374 views•Jan 1, 2021

Well I didn’t see much future
When I left the Christian brothers school
So I waved it goodbye with a wistful smile
And I left the girls of Tuam
And sometimes when I’m reminiscing
I see the prefabs and my old friends
And I know that they’ll be changed or gone
By the time I get home again
And I wish I was on that N 17
(Stone walls and the grasses green)
Yes I wish I was on that N 17
(Stone walls and the grasses green)
Travelling with just my thoughts and dreams
Well the ould fella left me to Shannon
Was the last time I travelled that road
and as I turned left at Claregalway
I could feel a lump in my throat
As I pictured the thousands of times
That I travelled that well worn track
And I know that things would be different
If I ever decide to go back
And I wish I was on that N 17
(Stone walls and the grasses green)
Yes I wish I was on that N 17
(Stone walls and the grasses green)
Travelling with just my thoughts and dreams
Now as I tumble down highways
Or filthy overcrowded trains
There’s no one to talk to in transit
So I sit there and daydream in vain
And behind all these muddled up problems
Of living on a foreign soil
I can still see the twists and turns on the road
From the square to the town of the tribes
And I wish I was on that N 17
(Stone walls and the grasses green)
Yes I wish I was on that N 17
(Stone walls and the grasses green)
Travelling with just my thoughts and dreams
3,411,077 views Oct 6, 2017Symphonic Adiemus, the new album from Karl Jenkins is available now: https://lnk.to/KJSAID Sir Karl Jenkins presents Symphonic Adiemus, the new album, of epic proportions. Brand new recordings of the greatest moments from the Adiemus series features an extended orchestra of over 100, including over 20 layers of classical and ethnic percussion, and a choir of 80. With judicious use of multi-tracking, there are sometimes over 400 participants heard at any one time. Symphonic Adiemus – the best of Karl Jenkins as you’ve never heard it before.



Lyrics
I don’t want to hear a love song
I got on this airplane just to fly
And I know there’s life below me
But all that you can show me is the prairie and the sky
And I don’t want to hear a sad story
Full of heartbreak and desire
The last time I felt like this
I was in the wilderness and the canyon was on fire
And I stood on the mountain
In the night and I watched it burn
I watched it burn, I watched it burn
I would rock my soul in the bosom of Abraham
I would hold my life in his saving grace
I would walk all the way from Boulder to Birmingham
If I thought I could see, I could see your face
Well, you really got me this time
And the hardest part is knowing I’ll survive
And I come to listen for the sound
Of the trucks as they move down out on 95
And pretend that it’s the ocean
Coming down to wash me clean, to wash me clean
Baby, do you know what I mean?
I would rock my soul in the bosom of Abraham
I would hold my life in his saving grace
I would walk all the way from Boulder to Birmingham
If I thought I could see, I could see your face
If I thought I could see, I could see your face
Thank you
Source: Musixmatch
Songwriters: Bill Danoff / Emmy Lou Harris
Boulder to Birmingham (2003 Remaster) lyrics © Reservoir Media Management (ireland) Limited