Provided to YouTube by Columbia Nashville What Will Baby Be · Dolly Parton Slow Dancing With The Moon ℗ 1993 Sony Music Entertainment Inc. Released on: 1993-02-23 Producer: Steve Buckingham Background Vocal, Vocal Arranger: Richard Dennison Background Vocal: Jenifer O’Brien-Enoch Assistant Producer: Cari Landers Background Vocal: Howard Smith Background Vocal: Vicki Hampton Unknown: Carlos Grier Engineer, Mixing Engineer: Gary Paczosa Guitar, Mandolin: Steve Gibson Assistant Engineer: Craig White Fiddle, Mandolin: Jimmy Mattingly Assistant Engineer: John David Parker Assistant Engineer: John Kunz Acoustic Guitar: Bruce Watkins Assistant Engineer: Wayne Morgan Electric Guitar: Kent Wells Assistant Engineer: John Hurley Steel Guitar: John Hughey Steel Guitar: Sonny Garrish Mastering Engineer: Denny Purcell Steel Guitar: Paul Franklin Harmonica, Percussion: Terry McMillan Drums: Steve Turner Keyboards: Michael Davis Piano: Paul Hollowell Piano: John Barlow Jarvis Piano: Mitch Humphries Accordion: Joey Miskulin Bass: Paul Uhrig Uilleann Pipes: Paddy Corcoran Auto-generated by YouTube.
Dolly Parton has always been about the welfare of children, and that much is evidenced in the 1993 song “What Will Baby Be”. Maura O’Connell provides the backing vocals on this song. That voice paired with Parton’s lilting vocals and tender guitar-strumming results in a beautifully cohesive piece of work.
Lyrics
A young couple marries, already fighting Along comes baby makin’ them three Trouble’s all he hears from the time he’s in didies Baby don’t know just what to believe
Angry words and spiteful actions Baby’s gonna cut his teeth on these If that’s gonna be the main attraction What will the baby be, what will baby be
Baby needs love and needs direction Baby’s first school is the family For they are only a reflection Of the things they see, what will baby be
What will baby be after baby is grown What will baby do if baby don’t know what’s right or wrong Got to show them love, got to teach them truth ‘Cause what baby is when baby grows up Well, that depends entirely on me and you Depends entirely on me and you
Baby thinks God is just a curse word Never said a prayer ’cause he’s never been taught They remember and repeat what they’ve heard So I ask who’s really at fault
So many questions, so few answers So many lessons we don’t teach Stumbling through like clumsy dancers What will baby be, what will baby be
What will baby be after baby is grown What will baby do when baby is out there on his own Teach the children how to be all they should be ‘Cause what baby is when baby grows up Depends entirely on you and me Depends entirely on you and me What will baby be
Billie Eilish – I love you (Live At The Greek Theatre)
Eilish is actually her middle name. Before she was born, her parents, Maggie Baird and Patrick O’Connell, saw a documentary about conjoined Irish twins, Katie and Eilish Holton, and decided if they ever had a daughter, they wanted to name her Eilish. But when Maggie was pregnant, her father, Bill, passed away, so they named her Billie after him instead. Meanwhile, Finneas, who was four, insisted on calling her “Pirate,” and that stuck, too. And thus, her full name: Billie Eilish Pirate Baird O’Connell.
It’s not true Tell me I’ve been lied to Cryin’ isn’t like you Ooh What the hell did I do? Never been the type to Let someone see right through Ooh
Maybe won’t you take it back? Say you were tryna make me laugh And nothin’ has to change today You didn’t mean to say, “I love you” I love you and I don’t want to Ooh
Up all night on another red eye I wish we never learned to fly I Maybe we should just try To tell ourselves a good lie I didn’t mean to make you cry I
Maybe won’t you take it back? Say you were tryna make me laugh And nothin’ has to change today You didn’t mean to say, “I love you” I love you and I don’t want to Ooh
The smile that you gave me Even when you felt like dyin’
We fall apart as it gets dark I’m in your arms in Central Park There’s nothin’ you could do or say I can’t escape the way I love you I don’t want to, but I love you Ooh Ooh Ooh Ooh Ooh
He went to sea for the day He wanted to know what to say When he’s asked what he’d done In the past to someone That he loves endlessly Now she’s gone, so is he
I went to war every morning I lost my way but now I’m following What you said in my arms What I read in the charms That I love durably Now it’s dead and gone and I am free
I went to sleep for the daytime I shut my eyes to the sunshine Turned my head away from the noise Bruise and drip decay of childish toys That I loved arguably All our labouring gone to seed
Went out to play for the evening We wanted to hold onto the feeling On the stretch in the sun And our breathlessness as we run To the beach endlessly As the sun creeps up on the sea
He went to sea for the day He wanted to know what to say When he’s asked what he’d done In the past to someone That he loves endlessly Now she’s gone, so is he
I went to war every morning I lost my way but now I’m following What you said in my arms What I read in the charms That I love durably Now it’s dead and gone and I am free
I went to sleep for the daytime I shut my eyes to the sunshine Turned my head away from the noise Bruise and drip decay of childish toys That I loved arguably All our labouring gone to seed
Went out to play for the evening We wanted to hold onto the feeling On the stretch in the sun And our breathlessness as we run To the beach endlessly As the sun creeps up on the sea
You’re feeling nervous, aren’t you, boy? With your quiet voice and impeccable style Don’t ever let them steal your joy And your gentle ways To keep ’em from running wild
They can kick dirt in your face Dress you down, and tell you that your place Is in the middle, when they hate the way you shine
I see you tugging on your shirt Trying to hide inside of it And hide how much it hurts
Let ’em laugh while they can Let ’em spin, let ’em scatter in the wind I have been to the movies, I’ve seen how it ends And the joke’s on them
You get discouraged, don’t you, girl? It’s your brother’s world for a while longer We gotta dance with the devil on a river To beat the stream Call it living the dream, call it kicking the ladder
They come to kick dirt in your face To call you weak and then displace you After carrying your baby on your back across the desert I saw your eyes behind your hair And you’re looking tired, but you don’t look scared
Let ’em laugh while they can Let ’em spin, let ’em scatter in the wind I have been to the movies, I’ve seen how it ends And the joke’s on them
Let ’em laugh while they can Let ’em spin, let ’em scatter in the wind I have been to the movies, I’ve seen how it ends And the joke’s on them
Khatia Buniatishvili – Un Violon sur le Sable (ROYAN) – Rachmaninov Concerto n°2 – 1e part.
6,383,632 views Aug 27, 2017
Khatia Buniatishvili interprète concerto n°2 pour piano de Rachmaninov (Adagio Sostenuto), accompagnée de Rachmaninov l’Orchestre d’Un Violon sur le Sable, sous la direction de Jérôme Pillement Un Violon sur le Sable est un ensemble de 3 concerts classiques et lyriques, présentant un programme hétéroclite et varié avec des solistes invités différent chaque soir, sur la plage de ROYAN (France) . Créé par Philippe Tranchet en 1987, Un Violon sur le sable se déroule en Juillet, couplé avec Un Violon sur la ville (festival “off”). A chaque concert, près de 50 000 spectateurs, mélomanes ou novices, petit ou grand, plongent dans un profond respect et une grande émotion, séduits aussi par le répertoire composé d’extraits des plus grandes oeuvres telle une véritable compilation classique et bon nombre d’oeuvres originales. Actualités, coulisses, images inédites, suivez-nous sur : Instagram : https://www.instagram.com/unviolonsur… Facebook : https://www.facebook.com/violonsurles… Twitter : https://twitter.com/violonroyan