37,644,598 views Jun 26, 2013Bill Haley & His Comets was an American Rock&Roll band founded in 1952 that continued playing until Haley’s death in 1981. The band was the earliest group of white musicians to bring Rock&Roll to the attention of white America and the rest of the world. From late 1954 to1956, the group placed nine singles into the Top 20 and three more in the Top Ten. Many fans consider them to be as revolutionary in their time as The Beatles or the Rolling Stones
When you feel your love’s been taken When you know there’s something missing In the dark, we’re barely hanging on Then you rest your head upon my chest And you feel like there ain’t nothing left I’m afraid that what we had is gone
Then I think of the start And it echoes a spark And I remember the magic electricity Then I look in my heart There’s a light in the dark Still a flicker of hope that you first gave to me That I wanna keep Please don’t leave Please don’t leave
When you lay there and you’re sleeping Hear the patterns of your breathing And I tell you things you’ve never heard before Asking questions to the ceiling Never knowing what you’re thinking I’m afraid that what we had is gone
Then I think of the start And it echoes a spark And I remember the magic electricity Then I look in my heart There’s a light in the dark Still a flicker of hope that you first gave to me That I wanna keep Please don’t leave Please don’t leave
And I want this to pass And I hope this won’t last Last too long
Then I think of the start And it echoes a spark And I remember the magic electricity Then I look in my heart There’s a light in the dark Still a flicker of hope that you first gave to me That I wanna keep Please don’t leave Please don’t leave
This song was written by the talented songwriter Julie Gold. Bette Midler had a fairly large hit with it, but I prefer Nanci Griffith’s version. This is from her 1987 album “Lone Star State Of Mind” (wow, has it been 25 years?), an album loaded with great songs, most of them written or co-written by
560,085,183 views Jan 7, 2013 #1D#OneDirection#OneDirectionOfficialOne Direction – Kiss You (Official Video) Follow on Spotify – https://1D.lnk.to/Spotify Listen on Apple Music – https://1D.lnk.to/AppleMusic Listen on Amazon Music – https://1D.lnk.to/AmazonMusic Listen on Deezer – https://1D.lnk.to/Deezer Listen on YouTube Music – https://smarturl.it/OneDirection_YTMusic Check out One Direction’s 10 Year Anniversary website here: https://1D.lnk.to/10YearsOf1DWebsite WATCH STORY OF MY LIFE MUSIC VIDEO ► https://smarturl.it/OneDirection_SOML WATCH WHAT MAKES YOU BEAUTIFUL MUSIC VIDEO ► https://smarturl.it/1D_WMYB WATCH DRAG ME DOWN MUSIC VIDEO ► https://smarturl.it/OneDirection_DMD WATCH HISTORY MUSIC VIDEO ► https://smarturl.it/OneDirection_H WATCH STEAL MY GIRL MUSIC VIDEO ► https://smarturl.it/OneDirection_SMG WATCH BEST SONG EVER MUSIC VIDEO ► https://smarturl.it/OneDirection_BSE Subscribe to the One Direction YouTube channel – https://smarturl.it/OneDirection_YT_Sub Follow One Direction: Facebook – / onedirection Twitter – / onedirection Instagram – / onedirection Lyrics [Zayn] Oh, I just wanna take you anywhere that you’d like We could go out any day, any night Baby I’ll take you there, take you there Baby I’ll take you there, yeah [Harry] Oh, tell me, tell me, tell me, how to turn your love on You can get, get anything that you want Baby just shout it out, shout it out Baby just shout it out, yeah [Liam] And if you, You want me too Let’s make a move Yeah, so tell me girl if every time we [All] To-o-uch You get this kind of ru-u-ush Baby, say yeah, yeah, yeah, yeah, yeah, yeah If you don’t wanna take it slow And you just wanna take me home Baby, say yeah, yeah, yeah, yeah, yeah [Harry] And let me kiss you [Zayn] Oh, baby, baby, don’t you know you got what I need Looking so good from your head to your feet Come on come over here, over here Come on come over here, yeah [Niall] Oh, I just wanna show you off to all of my friends Making them drool down their chinny-chin-chins Baby, be mine tonight, mine tonight Baby, be mine tonight, yeah [Liam] And if you, You want me too Let’s make a move [Zayn] Yeah, so tell me girl if every time we [All] To-o-uch You get this kind of ru-u-ush Baby, say yeah, yeah, yeah, yeah, yeah, yeah If you don’t wanna take it slow (c’mon) And you just wanna take me home Baby, say yeah, yeah, yeah, yeah, yeah [Zayn] And let me kiss you [5x] [All] C’mon Na na na na na na na na Na na na na na na na na Na na na na na na na na [Louis] Yeah, so tell me, girl, if every time we To-o-uch You get this kind of ru-u-ush Baby, say yeah, yeah, yeah, yeah, yeah, yeah If you don’t wanna take it slow And you just wanna take me home Baby, say yeah, yeah, yeah, yeah, yeah, yeah Every time we to-o-uch You get this kind of ru-u-ush Baby, say yeah, yeah, yeah, yeah, yeah, yeah If you don’t wanna take it slow And you just wanna take me home Baby, say yeah, yeah, yeah, yeah, yeah [Harry] And let me kiss you #OneDirection#KissYou#10YearsOf1D#OneDirectionOfficial#1D#OneDirectionKissYou#OneDirectionOfficialVideo#KissYouOfficialVideo
Official Music Video from the Choral Scholars of University College Dublin, performing ‘Silently, She’s Combing’ from James Joyce’s ‘Chamber Music’ Listen to the brand new album, released on September 20th, here: [https://lnk.to/JamesJoyceChamberMusic]. Experience the haunting beauty of ‘Silently, She’s Combing,’ a stunning choral setting of James Joyce’s Chamber Music, performed by the Choral Scholars of University College Dublin. This video includes an exclusive 3-second album promo to celebrate the release of our new album, out now! This piece is part of our ‘James Joyce Chamber Music’ series, where we set Joyce’s poetry to music. This choral arrangement offers a lyrical and ethereal interpretation of one of Ireland’s most celebrated writers. For lovers of choral music, classical arrangements, and James Joyce’s literary works, this performance provides an immersive experience of Irish cultural history. Listen to the brand new album, released on September 20th, here: [https://lnk.to/JamesJoyceChamberMusic]. Composed by Desmond Earley, this piece brings to life James Joyce’s poem (XXIV) from his iconic Chamber Music collection, capturing the ethereal imagery of a woman silently and gracefully combing her hair. Accompanied by the Solstice Ensemble, led by Anita Vedres, the music subtly mirrors the introspective themes of distance and indifference, resonating with the mystical aura of Ireland. Soprano soloists Emily Doyle and Kiri O’Neill blend seamlessly with the ensemble, evoking a timeless, reflective atmosphere, guided by the rich textures of string and wind instruments. This video not only showcases the Choral Scholars’ distinctive blend of Irish choral sound but also the ensemble’s interpretation of Joyce’s works in a contemporary, yet deeply respectful manner. Conducted by Desmond Earley, this performance is part of a broader international collaboration to fulfil Joyce’s dream of setting all 36 poems from Chamber Music to music. Credits: Soloists: Emily Doyle and Kiri O’Neill Solstice Ensemble Leader: Anita Vedres Production Team: Executive Producer: Desmond Earley Production Manager: Hanna Marshall Director: Matthew Leigh Producer: Nodlag Houlihan Director of Photography: Andrew Cummins Camera Assistant: Edmond Moriarty Editor: Emmet Reddy Hair & Makeup: Amanda Conlon Colourist: Emmet Reddy Audio Production: Recording Engineer: Andrew Mellor Mixing & Mastering: Andrew Mellor Label: Signum Classics Subscribe for more performances from Chamber Music and listen to the full album here: [https://lnk.to/JamesJoyceChamberMusic]. Video produced by Zucca Films. Audio recorded in Blackrock College, Dublin. (P) 2024 The copyright in the sound recording used in this video is owned by Signum Records Ltd. #ChoralScholars#JamesJoyce#ChamberMusic#IrishChoralMusic#DesmondEarley#SignumRecords#JamesJoycePoetry#ClassicalChoral#IrishMusic#ChoralPerformances
272,929 views Feb 26, 2017Provided to YouTube by Rhino/Warner Records Beautiful Child (2015 Remaster) · Fleetwood Mac Tusk ℗ 1979 Warner Records Inc. Remastered 2015, Rhino Entertainment Company Audio Additional Mix Engineer: Bill Inglot Unknown: Bill Inglot Audio Additional Mix Engineer: Brian Kehew
Keyboards, Synthesizer, Vocals: Christine McVie
Producer: Christine McVie
Remastering Engineer: Dan Hersch Engineer: Hernán Rojas Unknown: Hernán Rojas Unknown: Hernán Rojas Bass Guitar: John McVie Producer: John McVie Audio Recording Engineer: Ken Caillat Producer: Ken Caillat Unknown: Ken Perry Unknown:
Beautiful child Beautiful child You are a beautiful child And I am a fool once more
You fell in love when I was only ten The years disappeared Much has gone by since then I bite my lip, can you send me away? You touch, I have no choice (ooh, ooh) I have to stay (ooh) Ooh, I had to stay Ooh, I had to stay
Sleepless child There is so little time Your eyes say yes But you don’t say yes Well I wish that you were mine I wish that you were mine
You say it will be harder in the morning I wait for you to say, just go Your hands held mine so few hours (I fell into love) But I’m not a child anymore
I’m not a child anymore I’m tall enough to reach for the stars I’m old enough to love you from afar Too trusting? Yes But then women usually are
I’m not a child anymore I’m not a child, oh no (I’m tall enough to reach for the stars) I will do as I’m told (I’m old enough to love you from afar) Even if I never hold you again (too trusting? Yes, but then women usually are) Hold you again (hold you again)
Sleepless child There is so little time (I will do as I am told) Your eyes say yes, but you don’t say yes (Even if I never hold you again) I wish that you were mine (hold you again) I wish that you were mine (even if I never hold you again) Well I wish that you were mine (hold you again) Well I wish that you were mine