On Thursday 7th of May, Lisa Hannigan performed a magnificent, uplifting concert for you live from The National Gallery of Ireland. Enjoy this beautiful recording of ‘Undertow’ featuring Loah. You can watch the full live stream on the RTE Player now: bit.ly/2WnneVr Performances from Courage are being broadcast worldwide, free of charge, thanks to the support of the Department of Culture, Heritage and the Gaeltacht, Intel and RTÉ. Lisa Hannigan chose to highlight the work of Women’s Aid Ireland. If you can manage it today, please consider donating to: https://womensaid.ie/donate For more information on Lisa Hannigan check out: https://lisahannigan.ie/ About the National Gallery of Ireland: The National Gallery of Ireland is one of the country’s most popular visitor attractions housing the nation’s collection of European and Irish art from about 1300 to the present day, and an extensive Library & Archive. Entry to the collection is free for all to enjoy, learn and be inspired. Note: National Gallery of Ireland Closure The National Gallery of Ireland is currently closed, but there are countless ways for the public to engage with its national collection during this time. Initiatives include ‘National Gallery at Home’ videos, Work of the Day, Mindfulness and Art, and at-home activities inspired by the national collection. Virtual tours of iconic spaces such as the Shaw Room and the Grand Gallery, as well as recent exhibition Murillo: The Prodigal Son Restored, can also be explored from home. Find out more at http://www.nationalgallery.ie/national-gallery-ireland-at-home
2,198,715 views Apr 18, 2012 Something Beautiful is taken from the limited edition DVD package Theology. Recorded in the intimate environs of The Sugar Club.
Lyrics
I wanna make Something beautiful For you and from you To show you To show you I adore you Oh you
And your journey Towards me Which I see And I see All you push through Mad for you And because of you
I couldn’t thank you in ten thousand years If I cried ten thousand rivers of tears Ah, but you know the soul And you know what makes it gold You give life through blood Blood, blood Blood, blood Oh, blood, blood
Oh I wanna make something so lovely for you ‘Cause I promised that’s what I’d do for you With the Bible, I stole I know you forgave my soul because Such was my need on a chronic Christmas Eve And I think we’re agreed That it should have been free And you sang to me
They dress the wounds of my poor people As though they’re nothing Saying, “Peace, peace” When there’s no peace They dress the wounds of my poor people As though they’re nothing Saying, “Peace, peace, peace” When there’s no peace
Days without number Now can a bride forget her jewels? Or a maid her ornaments? Yet, my people forgotten me
Days without number Days without number And in their want Who’ll dress their wounds? Who’ll dress their wounds?
“Marble Halls” è un singolo della cantante e musicista irlandese Enya, rilasciato come quarto estratto dall’album Shepherd Moons nel 1994, perciò a ben 3 anni dalla sua pubblicazione, in quanto il brano è stato utilizzato nella colonna sonora del film L’età dell’innocenza. Immagini dal film “L’età dell’innocenza” (The Age of Innocence), film del 1993 diretto da Martin Scorsese ed interpretato da Daniel Day-Lewis, Michelle Pfeiffer e Winona Ryder.
“Trio II” was recorded in 1994 but not released until 1999, when Emmylou Harris, Dolly Parton, and Linda Ronstadt appeared on Late Show to perform Neil Young’s “After the Gold Rush.” The Glass Harmonica (or Armonica) was played by Dennis James, who remembers the performance in an interview with Rich Bailey in 2002: Rich Bailey: I remember when you appeared with her on Letterman and you discussed the Armonica a bit. How was that? Dennis James: Well, it was a great surprise. A sort of unspoken message in the air to me before the broadcast was “Do not say anything on the air!”. After all, these things are Linda’s appearances. When David L. leaned over his desk and directed a question to me I simply froze- on playback of the dub I can see myself caught and unable to speak. I received a glance from Linda that said to me it was OK and so when he tried again I called back a flip one liner and on things went from there. http://www.ronstadt-linda.com/djames…. The synthesizer player is Cliff Carter. I think the pianist is Robbie Kondor. The Trio altered two lines in their original “Trio II” recording: 1. “in the nineteen seventies” changed to “in the twentieth century.” 2. “And I felt like getting high” changed to “And I felt like I could cry.” Here’s their CD version: https://www.youtube.com/watch?v=ykMzS… It’d be tough to imagine them changing the lyrics without first getting Neil’s permission. So to everyone complaining about the lyric changes in this live performance: Don’t blame the show or the network. The changes had been made in the Trio’s original recording. And, we must assume, with Neil Young’s blessing. Update: Quoting Wikipedia: “Parton also released a solo version of the song in 1996, though her version altered the line ‘I felt like getting high’ to ‘I felt like I could cry’ with the permission of Neil Young.”
2,198,715 views Apr 18, 2012 Something Beautiful is taken from the limited edition DVD package Theology. Recorded in the intimate environs of The Sugar Club.
Lyrics
I wanna make Something beautiful For you and from you To show you To show you I adore you Oh you
And your journey Towards me Which I see And I see All you push through Mad for you And because of you
I couldn’t thank you in ten thousand years If I cried ten thousand rivers of tears Ah, but you know the soul And you know what makes it gold You give life through blood Blood, blood Blood, blood Oh, blood, blood
Oh I wanna make something so lovely for you ‘Cause I promised that’s what I’d do for you With the Bible, I stole I know you forgave my soul because Such was my need on a chronic Christmas Eve And I think we’re agreed That it should have been free And you sang to me
They dress the wounds of my poor people As though they’re nothing Saying, “Peace, peace” When there’s no peace They dress the wounds of my poor people As though they’re nothing Saying, “Peace, peace, peace” When there’s no peace
Days without number Now can a bride forget her jewels? Or a maid her ornaments? Yet, my people forgotten me
Days without number Days without number And in their want Who’ll dress their wounds? Who’ll dress their wounds?