I was eight years old And running with a dime in my hand To the bus stop to pick Up a paper for my old man I’d sit on his lap in that big old Buick And steer as we drove through town He’d tousle my hair And say, “son, take a good look around” This is your hometown This is your hometown This is your hometown This is your hometown”
In ’65 tension was running high At my high school There was a lot of fights Between the black and white There was nothing you could do Two cars at a light on a Saturday night In the back seat there was a gun Words were passed in a shotgun blast Troubled times had come To my hometown To my hometown To my hometown To my hometown
Now Main Street’s whitewashed windows And vacant stores Seems like there ain’t nobody Wants to come down here no more They’re closing down the textile mill Across the railroad tracks Foreman says, “these jobs are going, boys And they ain’t coming back To your hometown To your hometown To your hometown To your hometown”
Last night me and Kate we laid in bed Talking about getting out Packing up our bags, maybe heading south I’m thirty-five, we got a boy of our own now Last night I sat him up behind the wheel And said, “son, take a good look around This is your hometown”
Lyrics: “Dear Danny I’m taking the pen in my hand, to tell you we,re just out of site of the land. In a grand Ocean Liner I’m sailing in style. but I’m sailing away from the em’rald isle, and a long sort o’sight seems to come from us all as the waves hit the last bit of auld Donegal, Oh it is well to be you that is taking yer tay where Cutting the Corn around Creeslough to-day”
these are the reasons I drink the reasons I tell everybody I’m fine even though I am not these are the reasons I overdo it I have been working since I can remember since I was single digits And now even though I’ve been busted I don’t where to draw the line ‘cause the groove has gotten so deep And nothing can give reprieve like they do Nothing can give a break for this soldier like they do Here we are i feel such rapture and the comfort is so strong Ohhhh one more hit it feels so helpful in my need for respite ohhhh Ohhhhhhh ohhhhhhhhhh And here are the reasons I eat Reasons I feel everything so deeply when I’m not medicated So that’s it I am buying a lamborghini to make up for these habits to survive this sick industry And nothing can give reprieve like they do Nothing can give me a break from this torture like they do Here we are i feel such rapture and the comfort is so strong Ohhhh one more sip It feels so helpful in my need for some long overdue respite Ohhhhhhh ohhhhhhhhhh these are the reasons I don’t even think I would quit These are the reasons I can’t even see straight And these are the ones whom I know it so deeply affects and I am left wondering how I would I function without it Here we are i feel such rapture and the comfort is so strong Ohhhh one more rip I go from one lilypad to another to stay lit ohhhhhh Ohhhhhhh ohhhhhhhhhh
Winter Sun Christmas single released November 28th Stream on Spotify: https://open.spotify.com/artist/1bUf1…Carrigafoyle Castle Co. Kerry Ireland Nat Mon No 349
Full Works Survey Interior and exterior
The castle built in 1490 is set within the flat landscape of the wider Shannon Estuary and is sheltered by the small island of Carrig only 200m to the north across the salt marsh which is inundated at high tide. The medieval Church of Carrigafoyle stands opposite the castle and is built in the same style.
Carrigafoyle Castle, built between the years 1490 and 1500, is considered one of the strongest of Irish fortresses. It stands on a rock in a small bay off the Shannon estuary, and its name is an Anglicisation of the Irish, Carraig an Phoill “rock of the hole”.
Now a listed National Monument, its battlements provide stunning views of the estuary and the most interesting feature of the building is the dock, which allowed boats to tie up safely. This was particularly important when in the 1500’s the O’Connor’s of Kerry held political power over the area which allowed them to “inspect” ships passing to and from the port of Limerick.
You approached me in the darkness A figure I knew well The silhouette was known to me But it was far too soon to tell
With each step that you drew towards me I knew you less and less A creature of your likeness With a kind of hollowness
And all that winter sun Has ever gave to me Was a couple hours of light And a heat I couldn’t feel So don’t you come to me So bright and bold You promised me the world But you left it in the cold
And I was waiting for the heat to come The light it touched my skin I kept waiting for the heat to come But the cold came creeping in
Like stepping out onto a frozen lake Hid underneath the snow I put my trust in something bound to break But how could I have known
And all that winter sun Has ever gave to me Was a couple hours of light And a heat I couldn’t feel So don’t you come to me So bright and bold You promised me the world But you left it in the cold
And I’ve been blinded by sunshine And oh I hate how sweet the world has seemed Bathed in your cold light
And all that winter sun Has ever gave to me Was a couple hours of light And a heat I couldn’t feel So don’t you come to me So bright and bold You promised me the world But you left it in the cold
And all that winter sun Has ever gave to me Was a couple hours of light And a heat I couldn’t feel So don’t you come to me So bright and bold You promised me the world But you left it in the cold
316,811 views Jun 1, 2012The original production of Carousel was directed by Rouben Mamoulian and opened at Broadway’s Majestic Theatre on April 19, 1945, running for 890 performances and closing on May 24, 1947. The cast included John Raitt, Jan Clayton, Jean Darling, Christine Johnson and Bambi Linn. From this show came the hit musical numbers “The Carousel Waltz” (an instrumental), “If I Loved You”, “June Is Bustin’ Out All Over”, and “You’ll Never Walk Alone”. Carousel was also revolutionary for its time — adapted from Ferenc Molnár’s play Liliom, it was one of the first musicals to contain a tragic plot;[citation needed] it also contained an extended ballet that was crucial to the plot, and several extended musical scenes containing both sung and spoken material, as well as dance. The 1956 film version of Carousel, made in CinemaScope 55, again starred Gordon MacRae and Shirley Jones, the same leads as the film version of Oklahoma! Carousel is also unique among the Rodgers and Hammerstein musicals for not having an overture; both the stage and film versions began with the familiar Carousel Waltz. This music was included in John Mauceri’s Philips Records CD of the complete overtures of Rodgers and Hammerstein with the Hollywood Bowl Orchestra. It was also included in Rodgers’ rare 1954 album for Columbia Records with the composer conducting the New York Philharmonic Orchestra.
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