The unmistakable, hypnotic masterpiece from the Spanish National Orchestra’s Proms debut. BBC Proms 2026 – Live classical music from the Royal Albert Hall, London PLEASE PLEASE PLEASE — BBC –, on behalf of all that can watch this from all corners of the world, leave this channel alone, unlike last year when you disputed every video and took them all down. Think of the enjoyment you are providing everyone and we bow to you for doing that. THANKYOU from all of us. We love you BBC … 🙏 💓 🙏
Found the truth beneath your lies And true love never has to hide (True love never has to hide) I’ll trade your broken wings for mine (Trade your broken wings for mine) I’ve seen your scars and kissed your crime (Seen your scars and kissed your crime)
So many people that I know, they just tryna touch ya Kiss up, and rub up, and feel up Kiss up, and rub up, and feel up on ya Give you some time to prove that I can trust you again I’m gonna kiss up, and rub up, and feel up Kiss up, and rub up, and feel up on ya
All night long Love, all night long Sweet love, all night long Sweet love, all night long All I wanna, ain’t no other We together, I remember Sweet love, all night long
Our love was stronger than your pride Beyond your darkness, I’m your light, oh If you get deep, you touch my mind (If you get deep, you touch my mind) Baptize your tears and dry your eyes (Baptize your tears and dry your eyes)
So many people I know that they just tryna touch ya Kiss up, and rub up, and feel up Kiss up, and rub up, and feel up on ya Give you some time to prove that I can trust you again I’m gonna kiss up, and rub up, and feel up Kiss up, and rub up, and feel up on ya
All night long Love, all night long Sweet love, all night long Sweet love, all night long All I wanna, ain’t no other We together, I remember Sweet love, all night long
They say true love’s the greatest weapon To win the war caused by pain (pain) But every diamond has imperfections But my love’s too pure to watch it chip away (chip a-, chip a-, chip away) Boy, nothing real can be threatened True love breathes salvation back into me With every tear came redemption And my torturer became my remedy
So many people I know that they just tryna touch ya Kiss up, and rub up, and feel up Kiss up, and rub up, and feel up on ya Give you some time to prove that I can trust you again I’m gonna kiss up, and rub up, and feel up Kiss up, and rub up, and feel up on ya
All night long Love, all night long Sweet love, all night long Sweet love, all night long All I wanna, ain’t no other We together, I remember Sweet love, all night long
Songwriters: Andre Benjamin / Antwan Patton / Thomas Wesley Pentz / Patrick Brown / Ilsey Juber / Timothy Thomas / Theron Thomas / Jaramye Daniels / Akil King / Beyonce
On Thursday 7th of May, Lisa Hannigan performed a magnificent, uplifting concert for you live from The National Gallery of Ireland. Enjoy this beautiful recording of ‘Undertow’ featuring Loah. You can watch the full live stream on the RTE Player now: bit.ly/2WnneVr Performances from Courage are being broadcast worldwide, free of charge, thanks to the support of the Department of Culture, Heritage and the Gaeltacht, Intel and RTÉ. Lisa Hannigan chose to highlight the work of Women’s Aid Ireland. If you can manage it today, please consider donating to: https://womensaid.ie/donate For more information on Lisa Hannigan check out: https://lisahannigan.ie/ About the National Gallery of Ireland: The National Gallery of Ireland is one of the country’s most popular visitor attractions housing the nation’s collection of European and Irish art from about 1300 to the present day, and an extensive Library & Archive. Entry to the collection is free for all to enjoy, learn and be inspired. Note: National Gallery of Ireland Closure The National Gallery of Ireland is currently closed, but there are countless ways for the public to engage with its national collection during this time. Initiatives include ‘National Gallery at Home’ videos, Work of the Day, Mindfulness and Art, and at-home activities inspired by the national collection. Virtual tours of iconic spaces such as the Shaw Room and the Grand Gallery, as well as recent exhibition Murillo: The Prodigal Son Restored, can also be explored from home. Find out more at http://www.nationalgallery.ie/national-gallery-ireland-at-home
7,075,768 views Premiered Apr 1, 2022 KÖLNER PHILHARMONIEMaurice Ravel’s “Bolero” performed by the WDR Sinfonieorchester under the baton of Alondra de la Parra on January 27, 2022 at the Kölner Philharmonie. Maurice Ravel – Bolero WDR Symphony Orchestra Alondra de la Parra, conductor *** MORE ALONDRA DE LA PARRA WITH THE WDR ORCHESTRAS IN OUR PLAYLIST: • Alondra de la Parra dirigiert *** ► For more on the symphony orchestra, concerts and current livestreams, visit https://sinfonieorchester.wdr.de ► The WDR Symphony Orchestra on Facebook / wdrsinfonieorchester
The idea of pursuing a career as a musician came early and was supported by his parents: At the age of 13, Maurice Ravel receives lessons at a private music school and studies immediately afterwards. There is little motivation left when Ravel fails his intermediate exam and has to leave the master class right away. Nevertheless, one work in particular composed by Ravel, the “Boléro”, is one of the best known and most frequently played pieces of music in the world. Ravel not only works on the Boléro with the greatest care and attention to detail, he often takes a long time to complete his works – due to the complexity and accuracy of his works, he is also called the “Swiss watchmaker” among composers. Regarding his orchestral work “Boléro” – eponymous with the dance genre – Maurice Ravel commented one day: “My masterpiece? The Boléro, of course. It’s just a pity that it contains no music at all”. Beginning with the probably best-known, always constant (ostinato) rhythm, the snare drum opens the piece in pianissimo. It accompanies the two 16-bar melodies (melody A and B) throughout, which are repeated eighteen times – first solo, then by several registers in unison. They occur in the form AA BB until the last two repetitions. In the climax of the climax, A and B follow each other “undoubled”. The melodies are varied only in the shaping of the instrumentation – and thus the timbre – resulting in a majestic crescendo until the end of the boléro.WDR Klassik
Musicaware.co 