And so it is just like you said it would be Life goes easy on me Most of the time And so it is the shorter story No love, no glory No hero in her sky
I can’t take my eyes off of you I can’t take my eyes off you I can’t take my eyes off of you I can’t take my eyes off you I can’t take my eyes off you I can’t take my eyes
And so it is just like you said it should be We’ll both forget the breeze Most of the time And so it is the colder water The Blower’s Daughter The pupil in denial
I can’t take my eyes off of you I can’t take my eyes off you I can’t take my eyes off of you I can’t take my eyes off you I can’t take my eyes off you I can’t take my eyes
Did I say that I loathe you? Did I say that I want to Leave it all behind?
I can’t take my mind off of you I can’t take my mind off you I can’t take my mind off of you I can’t take my mind off you I can’t take my mind off you I can’t take my mind My mind my mind ‘Til I find somebody new
558,817 views Apr 8, 2017Provided to YouTube by Rhino Our House · Crosby, Stills, Nash & Young Greatest Hits ℗ 1970 Atlantic Recording Corporation Engineer: Bill Halverson Percussion: Dallas Taylor Band Member, Vocals: David Crosby Producer: David Crosby Band Member, Vocals: Graham nash Producer: Graham nash Bass Guitar: Gregory Reeves Band Member, Vocals: Neil Young Producer: Neil Young Band Member, Vocals: Stephen Stills Producer: Stephen Stills Writer: Graham Nash Auto-generated by YouTube.
The Cranberries – Promises (Album Bury the Hatchet 1999) “Beneath the Skin” Live concert at the Palais Omnisports de Paris-Bercy 1999 Paris, France Dolores O’Riordan – Vocals, Guitar Noel Hogan – Guitar Mike Hogan – Bass Guitar Fergal Lawler – DrumsLyrics
37,644,598 views Jun 26, 2013Bill Haley & His Comets was an American Rock&Roll band founded in 1952 that continued playing until Haley’s death in 1981. The band was the earliest group of white musicians to bring Rock&Roll to the attention of white America and the rest of the world. From late 1954 to1956, the group placed nine singles into the Top 20 and three more in the Top Ten. Many fans consider them to be as revolutionary in their time as The Beatles or the Rolling Stones
When you feel your love’s been taken When you know there’s something missing In the dark, we’re barely hanging on Then you rest your head upon my chest And you feel like there ain’t nothing left I’m afraid that what we had is gone
Then I think of the start And it echoes a spark And I remember the magic electricity Then I look in my heart There’s a light in the dark Still a flicker of hope that you first gave to me That I wanna keep Please don’t leave Please don’t leave
When you lay there and you’re sleeping Hear the patterns of your breathing And I tell you things you’ve never heard before Asking questions to the ceiling Never knowing what you’re thinking I’m afraid that what we had is gone
Then I think of the start And it echoes a spark And I remember the magic electricity Then I look in my heart There’s a light in the dark Still a flicker of hope that you first gave to me That I wanna keep Please don’t leave Please don’t leave
And I want this to pass And I hope this won’t last Last too long
Then I think of the start And it echoes a spark And I remember the magic electricity Then I look in my heart There’s a light in the dark Still a flicker of hope that you first gave to me That I wanna keep Please don’t leave Please don’t leave
Official Music Video from the Choral Scholars of University College Dublin, performing ‘Silently, She’s Combing’ from James Joyce’s ‘Chamber Music’ Listen to the brand new album, released on September 20th, here: [https://lnk.to/JamesJoyceChamberMusic]. Experience the haunting beauty of ‘Silently, She’s Combing,’ a stunning choral setting of James Joyce’s Chamber Music, performed by the Choral Scholars of University College Dublin. This video includes an exclusive 3-second album promo to celebrate the release of our new album, out now! This piece is part of our ‘James Joyce Chamber Music’ series, where we set Joyce’s poetry to music. This choral arrangement offers a lyrical and ethereal interpretation of one of Ireland’s most celebrated writers. For lovers of choral music, classical arrangements, and James Joyce’s literary works, this performance provides an immersive experience of Irish cultural history. Listen to the brand new album, released on September 20th, here: [https://lnk.to/JamesJoyceChamberMusic]. Composed by Desmond Earley, this piece brings to life James Joyce’s poem (XXIV) from his iconic Chamber Music collection, capturing the ethereal imagery of a woman silently and gracefully combing her hair. Accompanied by the Solstice Ensemble, led by Anita Vedres, the music subtly mirrors the introspective themes of distance and indifference, resonating with the mystical aura of Ireland. Soprano soloists Emily Doyle and Kiri O’Neill blend seamlessly with the ensemble, evoking a timeless, reflective atmosphere, guided by the rich textures of string and wind instruments. This video not only showcases the Choral Scholars’ distinctive blend of Irish choral sound but also the ensemble’s interpretation of Joyce’s works in a contemporary, yet deeply respectful manner. Conducted by Desmond Earley, this performance is part of a broader international collaboration to fulfil Joyce’s dream of setting all 36 poems from Chamber Music to music. Credits: Soloists: Emily Doyle and Kiri O’Neill Solstice Ensemble Leader: Anita Vedres Production Team: Executive Producer: Desmond Earley Production Manager: Hanna Marshall Director: Matthew Leigh Producer: Nodlag Houlihan Director of Photography: Andrew Cummins Camera Assistant: Edmond Moriarty Editor: Emmet Reddy Hair & Makeup: Amanda Conlon Colourist: Emmet Reddy Audio Production: Recording Engineer: Andrew Mellor Mixing & Mastering: Andrew Mellor Label: Signum Classics Subscribe for more performances from Chamber Music and listen to the full album here: [https://lnk.to/JamesJoyceChamberMusic]. Video produced by Zucca Films. Audio recorded in Blackrock College, Dublin. (P) 2024 The copyright in the sound recording used in this video is owned by Signum Records Ltd. #ChoralScholars#JamesJoyce#ChamberMusic#IrishChoralMusic#DesmondEarley#SignumRecords#JamesJoycePoetry#ClassicalChoral#IrishMusic#ChoralPerformances
272,929 views Feb 26, 2017Provided to YouTube by Rhino/Warner Records Beautiful Child (2015 Remaster) · Fleetwood Mac Tusk ℗ 1979 Warner Records Inc. Remastered 2015, Rhino Entertainment Company Audio Additional Mix Engineer: Bill Inglot Unknown: Bill Inglot Audio Additional Mix Engineer: Brian Kehew
Keyboards, Synthesizer, Vocals: Christine McVie
Producer: Christine McVie
Remastering Engineer: Dan Hersch Engineer: Hernán Rojas Unknown: Hernán Rojas Unknown: Hernán Rojas Bass Guitar: John McVie Producer: John McVie Audio Recording Engineer: Ken Caillat Producer: Ken Caillat Unknown: Ken Perry Unknown:
Beautiful child Beautiful child You are a beautiful child And I am a fool once more
You fell in love when I was only ten The years disappeared Much has gone by since then I bite my lip, can you send me away? You touch, I have no choice (ooh, ooh) I have to stay (ooh) Ooh, I had to stay Ooh, I had to stay
Sleepless child There is so little time Your eyes say yes But you don’t say yes Well I wish that you were mine I wish that you were mine
You say it will be harder in the morning I wait for you to say, just go Your hands held mine so few hours (I fell into love) But I’m not a child anymore
I’m not a child anymore I’m tall enough to reach for the stars I’m old enough to love you from afar Too trusting? Yes But then women usually are
I’m not a child anymore I’m not a child, oh no (I’m tall enough to reach for the stars) I will do as I’m told (I’m old enough to love you from afar) Even if I never hold you again (too trusting? Yes, but then women usually are) Hold you again (hold you again)
Sleepless child There is so little time (I will do as I am told) Your eyes say yes, but you don’t say yes (Even if I never hold you again) I wish that you were mine (hold you again) I wish that you were mine (even if I never hold you again) Well I wish that you were mine (hold you again) Well I wish that you were mine
471,427 views Premiered Jan 31, 2023 #LankumOur 4th album “False Lankum” is out now on Rough Trade Records. Listen/order here: https://lankum.ffm.to/falselankum Director: Peadar Ó Goill Art Director: Vicky Langan Cinematography: Albert Hooi Producer: Cian Lawless AC: Laurent Murray Editor: Peadar Ó Goill Colourist: Peter Oppersdorff at The Mill Colour Producer: Dan Hills Gaffer: Padraig Conaty Best Boy: Noel Greene Grip: John Connon Grip Assistants: Karl Roche, Christopher Connon Costume and Styling: Liz Bennett Production: Flora Dalton Trainee: Gina Crighton Extras: Alex Day, Sean Fitzgerald, Iona Zajac Thank you Colin Burke, Paul Duane, Tom Travis Subscribe to LankumDublin here ➤ http://bit.ly/36qVmBkhttp://lankumdublin.com / lankumdublin / dublinfolkmi. . / lankumdublin #Lankum#GoDigMyGrave
Go dig my grave both wide and deep Place a marble stone at my head and feet And on my breast a snow white dove To tell this world that I died for love Oh Lordy Lord, Oh Lordy me Oh Lord, oh Lord, Oh Lordy me She went upstairs for to make her bed And not one word to her mother said Her mother, she went upstairs too Saying “daughter oh daughter What troubles you?” “Oh Mama dear, I cannot tell, That railroad boy that I loved so well He courted me my life away And now with me he will not stay” Oh Lordy Lord, Oh Lordy me Oh Lord, oh Lord, Oh Lordy me Her father, he came home from work, Saying “where’s my daughter? She seemed so hurt” He went upstairs for to give her hope And he found her hanging by a rope Oh Lordy Lord, Oh Lordy me Oh Lord, oh Lord, Oh Lordy me He got his knife for to cut her down And in her bosom these words he found; Go dig my grave both wide and deep Place a marble stone at my head and feet And on my breast a snow white dove To tell this world that I died for love Oh Lordy Lord, Oh Lordy me Oh Lord, oh Lord, Oh Lordy me
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