On Thursday 7th of May, Lisa Hannigan performed a magnificent, uplifting concert for you live from The National Gallery of Ireland. Enjoy this beautiful recording of ‘Undertow’ featuring Loah. You can watch the full live stream on the RTE Player now: bit.ly/2WnneVr Performances from Courage are being broadcast worldwide, free of charge, thanks to the support of the Department of Culture, Heritage and the Gaeltacht, Intel and RTÉ. Lisa Hannigan chose to highlight the work of Women’s Aid Ireland. If you can manage it today, please consider donating to: https://womensaid.ie/donate For more information on Lisa Hannigan check out: https://lisahannigan.ie/ About the National Gallery of Ireland: The National Gallery of Ireland is one of the country’s most popular visitor attractions housing the nation’s collection of European and Irish art from about 1300 to the present day, and an extensive Library & Archive. Entry to the collection is free for all to enjoy, learn and be inspired. Note: National Gallery of Ireland Closure The National Gallery of Ireland is currently closed, but there are countless ways for the public to engage with its national collection during this time. Initiatives include ‘National Gallery at Home’ videos, Work of the Day, Mindfulness and Art, and at-home activities inspired by the national collection. Virtual tours of iconic spaces such as the Shaw Room and the Grand Gallery, as well as recent exhibition Murillo: The Prodigal Son Restored, can also be explored from home. Find out more at http://www.nationalgallery.ie/national-gallery-ireland-at-home
Provided to YouTube by Columbia Nashville What Will Baby Be · Dolly Parton Slow Dancing With The Moon ℗ 1993 Sony Music Entertainment Inc. Released on: 1993-02-23 Producer: Steve Buckingham Background Vocal, Vocal Arranger: Richard Dennison Background Vocal: Jenifer O’Brien-Enoch Assistant Producer: Cari Landers Background Vocal: Howard Smith Background Vocal: Vicki Hampton Unknown: Carlos Grier Engineer, Mixing Engineer: Gary Paczosa Guitar, Mandolin: Steve Gibson Assistant Engineer: Craig White Fiddle, Mandolin: Jimmy Mattingly Assistant Engineer: John David Parker Assistant Engineer: John Kunz Acoustic Guitar: Bruce Watkins Assistant Engineer: Wayne Morgan Electric Guitar: Kent Wells Assistant Engineer: John Hurley Steel Guitar: John Hughey Steel Guitar: Sonny Garrish Mastering Engineer: Denny Purcell Steel Guitar: Paul Franklin Harmonica, Percussion: Terry McMillan Drums: Steve Turner Keyboards: Michael Davis Piano: Paul Hollowell Piano: John Barlow Jarvis Piano: Mitch Humphries Accordion: Joey Miskulin Bass: Paul Uhrig Uilleann Pipes: Paddy Corcoran Auto-generated by YouTube.
Dolly Parton has always been about the welfare of children, and that much is evidenced in the 1993 song “What Will Baby Be”. Maura O’Connell provides the backing vocals on this song. That voice paired with Parton’s lilting vocals and tender guitar-strumming results in a beautifully cohesive piece of work.
Lyrics
A young couple marries, already fighting Along comes baby makin’ them three Trouble’s all he hears from the time he’s in didies Baby don’t know just what to believe
Angry words and spiteful actions Baby’s gonna cut his teeth on these If that’s gonna be the main attraction What will the baby be, what will baby be
Baby needs love and needs direction Baby’s first school is the family For they are only a reflection Of the things they see, what will baby be
What will baby be after baby is grown What will baby do if baby don’t know what’s right or wrong Got to show them love, got to teach them truth ‘Cause what baby is when baby grows up Well, that depends entirely on me and you Depends entirely on me and you
Baby thinks God is just a curse word Never said a prayer ’cause he’s never been taught They remember and repeat what they’ve heard So I ask who’s really at fault
So many questions, so few answers So many lessons we don’t teach Stumbling through like clumsy dancers What will baby be, what will baby be
What will baby be after baby is grown What will baby do when baby is out there on his own Teach the children how to be all they should be ‘Cause what baby is when baby grows up Depends entirely on you and me Depends entirely on you and me What will baby be
Provided to YouTube by Universal Music Group All You Need Is Love (Remastered 2015) · The Beatles 1 ℗ 2015 Calderstone Productions Limited (a division of Universal Music Group) Released on: 2000-11-13 Producer, Studio Personnel, Mixer: Giles Martin Studio Personnel, Mixer: Sam Okell Studio Personnel, Mastering Engineer: Miles Showell Associated Performer, Sound Design: Al Sirkett Studio Personnel, Assistant Mixer: Matt Mysko Studio Personnel, Recording Engineer: Simon Gibson Studio Personnel, Recording Engineer: James Clarke Studio Personnel, Recording Engineer: Andrew Walter Producer: George Martin Composer Lyricist: John Lennon Composer Lyricist: Paul McCartney Auto-generated by YouTube.
When the rain is blowing in your face And the whole world is on your case I could offer you a warm embrace To make you feel my love When the evening shadows and the stars appear And there is no one there to dry your tears I could hold you for a million years To make you feel my love
I know you haven’t made your mind up yet But I would never do you wrong I’ve known it from the moment that we met No doubt in my mind where you belong
I’d go hungry, I’d go black and blue I’d go crawling down the avenue No, there’s nothing that I wouldn’t do To make you feel my love
The storms are raging on the rolling sea And on the highway of regret Though winds of change are throwing wild and free You ain’t seen nothing like me yet
I could make you happy, make your dreams come true Nothing that I wouldn’t do Go to the ends of the Earth for you To make you feel my love To make you feel my love
Brendan O’Dowda singing Gortnamona, written by Percy French.
Long, long ago in the woods of Gortnamona, I thought the birds were singing in the blackthorn tree; But oh, it was my heart that was singing, singing, singing, With the joy that you were bringing, oh my love, to me Long, long ago in the woods of Gortnamona, I thought the wind was sighing round the blackthorn tree; But oh, it was the banshee that was crying, crying, crying, And I knew my love was dying far across the sea. Now if you go through the woods of Gortnamona, You’ll hear the raindrops creeping through the blackthorn tree; But oh, it is the tears thatI am weeping, weeping, weeping, For the loved one that is sleeping far away from me. Long, long ago in the woods of Gortnamona, I thought the birds were singing in the blackthorn tree; But oh, it was my heart that was singing, singing, singing, With the joy that you were bringing, oh my love, to me
Lyrics: Oh, Danny Boy, the pipes, the pipes are calling From glen to glen, and down the mountain side, The summer’s gone and all the roses falling, It’s you, it’s you must go and I must bide. But come ye back when summer’s in the meadow, Or when the valley’s hushed and white with snow, It’s I’ll be here in sunshine or in shadow, Oh, Danny Boy, oh Danny boy I love you so! But when ye come, and all the flowers are dying, If I am dead, as dead I may well be Ye’ll come and find the place where I am lying, And kneel and say an Ave there for me; And I shall hear, though soft you tread above me, And all my grave will warmer, sweeter be, For you will bend and tell me that you love me, And I shall sleep in peace until you come to me!
Best of the Night: Billie EilishActually Looks Happier Than Ever
Did Billie Eilish even know she was performing at the Grammys? The way she rocked out while singing “Happier Than Ever,” jumping up and down and smiling at her brother, guitarist-producer Finneas, she seemed like she was owning a moment all her own. Not even pouring rain — or the fact that she would walk away with zero trophies among the seven she was nominated for, an egregious shutout given the year she had — could ruin the good time she was having on top of a prop mobile home as she belted “Just leave me aloooo-ho-ho-hone.” But she didn’t lose herself completely; she still remembered to hold up her T-shirt, repping late Foo Fighters drummer Taylor Hawkins, sharing in her triumph.
Lyrics
When I’m away from you, I’m happier than ever Wish I could explain it better I wish it wasn’t true, hm Give me a day or two to think of something clever To write myself a letter To tell me what to do, mm-mmm
Do you read my interviews? Or do you skip my avenue? (My avenue) When you (when you) said you were passing through Was I even on your way? I knew when I asked you to (when I asked you to) Be cool about what I was telling you You’d do the opposite of what you said you’d do (what you said you’d do) And I’d end up more afraid
Don’t say it isn’t fair You clearly weren’t aware that you made me miserable So if you really wanna know
When I’m away from you (when I’m away from you) I’m happier than ever (happier than ever) Wish I could explain it better (wish I could explain it better) I wish it wasn’t true (wish it wasn’t true), mmm-hmm
You call me again, drunk in your Benz Driving home under the influence You scared me to death, but I’m wasting my breath ‘Cause you only listen to your fucking friends I don’t relate to you I don’t relate to you, no ‘Cause I’d never treat me this shitty You made me hate this city
And I don’t talk shit about you on the internet Never told anyone anything bad ‘Cause that shit’s embarrassing, you were my everything And all that you did was make me fucking sad
So don’t waste the time I don’t have And don’t try to make me feel bad I could talk about every time that you showed up on time But I’d have an empty line ’cause you never did Never paid any mind to my mother or friends So I shut ’em all out for you ’cause I was a kid
You ruined everything good Always said you were misunderstood Made all my moments your own Just fucking leave me alone
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