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When you feel your love’s been taken When you know there’s something missing In the dark, we’re barely hanging on Then you rest your head upon my chest And you feel like there ain’t nothing left I’m afraid that what we had is gone
Then I think of the start And it echoes a spark And I remember the magic electricity Then I look in my heart There’s a light in the dark Still a flicker of hope that you first gave to me That I wanna keep Please don’t leave Please don’t leave
When you lay there and you’re sleeping Hear the patterns of your breathing And I tell you things you’ve never heard before Asking questions to the ceiling Never knowing what you’re thinking I’m afraid that what we had is gone
Then I think of the start And it echoes a spark And I remember the magic electricity Then I look in my heart There’s a light in the dark Still a flicker of hope that you first gave to me That I wanna keep Please don’t leave Please don’t leave
And I want this to pass And I hope this won’t last Last too long
Then I think of the start And it echoes a spark And I remember the magic electricity Then I look in my heart There’s a light in the dark Still a flicker of hope that you first gave to me That I wanna keep Please don’t leave Please don’t leave
34,849 views Feb 22, 2025Supergroup BIIRD perform a special musical medley live on The Late Late Show Watch The Late Late Show live and on-demand from anywhere in the world at http://www.rte.ie/player. The Late Late Show | Fridays | RTÉ One, 9:35pm Irish TimeThe Late Late Show
“Trio II” was recorded in 1994 but not released until 1999, when Emmylou Harris, Dolly Parton, and Linda Ronstadt appeared on Late Show to perform Neil Young’s “After the Gold Rush.” The Glass Harmonica (or Armonica) was played by Dennis James, who remembers the performance in an interview with Rich Bailey in 2002: Rich Bailey: I remember when you appeared with her on Letterman and you discussed the Armonica a bit. How was that? Dennis James: Well, it was a great surprise. A sort of unspoken message in the air to me before the broadcast was “Do not say anything on the air!”. After all, these things are Linda’s appearances. When David L. leaned over his desk and directed a question to me I simply froze- on playback of the dub I can see myself caught and unable to speak. I received a glance from Linda that said to me it was OK and so when he tried again I called back a flip one liner and on things went from there. http://www.ronstadt-linda.com/djames…. The synthesizer player is Cliff Carter. I think the pianist is Robbie Kondor. The Trio altered two lines in their original “Trio II” recording: 1. “in the nineteen seventies” changed to “in the twentieth century.” 2. “And I felt like getting high” changed to “And I felt like I could cry.” Here’s their CD version: https://www.youtube.com/watch?v=ykMzS… It’d be tough to imagine them changing the lyrics without first getting Neil’s permission. So to everyone complaining about the lyric changes in this live performance: Don’t blame the show or the network. The changes had been made in the Trio’s original recording. And, we must assume, with Neil Young’s blessing. Update: Quoting Wikipedia: “Parton also released a solo version of the song in 1996, though her version altered the line ‘I felt like getting high’ to ‘I felt like I could cry’ with the permission of Neil Young.”
The Chieftains, the world’s most celebrated traditional Irish band, marked their 50th anniversary with the release of Voice of Ages on February 21st 2012 (Hear/Concord). An imaginative collaboration featuring a dazzling collection of like-minded musical visionaries and kindred spirits, Voice of Ages, produced by Paddy Moloney and T Bone Burnett, features The Chieftains teaming with stars from the worlds of indie-rock (Bon Iver, The Decemberists, The Low Anthem), country and Americana (The Civil Wars, Pistol Annies, Carolina Chocolate Drops, Punch Brothers), Irish and Scottish folk (Imelda May, Lisa Hannigan, Paolo Nutini) and more… Support The Chiefttains and purchase the whole album here: http://itunes.apple.com/us/album/voic…
Where Lagan stream sings lullaby There blows a lily fair The twilight gleam is in her eye The night is on her hair And like a love-sick lennan-shee She has my heart in thrall Nor life I owe nor liberty For love is lord of all.
And often when the beetle’s horn Hath lulled the eve to sleep I steal unto her shieling lorn And thru the dooring peep. There on the cricket’s singing stone, She spares the bogwood fire, And hums in sad sweet undertone The songs of heart’s desire
Nor life I owe nor liberty For love is lord of all. For love is lord of all.
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